Strong's 3588: The, the definite article. Including the feminine he, and the neuter to in all their inflections; the definite article; the.

Kathy regains consciousness and finds herself naked and chained to the ceiling of the metal-walled room. Donny enters the room in a fire suit, douses Kathy in gasoline, and burns her alive using a flamethrower. The following day, Donny fails to show up to work, and instead kidnaps a stranded female motorist, again murdering her by immolation. He then proceeds to singe his mother's corpse before dressing it in her clothing. Donny repeats the same murder scenario that night with Linda, a woman he assails at a grocery store, and arranges her alongside his mother and the other two female victims. Strong's 3853: To notify, command, charge, entreat solemnly. From para and the base of aggelos; to transmit a message, i.e. to enjoin. Jesus sent out these twelve after giving them instructions: “Don’t take the road that leads to the Gentiles, and don’t enter any Samaritan town. Minds On Fire: The Dying Embers Of 1970s Psychological Horror is a new video essay by ‘The Reprobate’ David Flint that runs fifteen minutes. This piece explores the change in tone that horror films experienced in the seventies and how as the decade ended the tide started to turn with the popularity of slasher movies, the social context of the rise of the slasher film and how a lot of horror films got lumped in with slasher films that didn't really belong there - Don't Go In The House being a prime example. Flint also notes how many real life serial killers had damaged relationships with their mothers just as Donny does in this picture, how the marketing behind the film's release didn't do it any favors, different versions and cuts of the films that have existed over the years, how it was subject to police action when released in the UK, thoughts on Donny's character and more.

See also

Grindhouse All-Stars: Notes From The Sleaze Cinema Underground is a selection of interviews with filmmakers Matt Cimber, Joseph Ellison, Roy Frumkes and Jeff Lieberman that lasts for thirty-four minutes. They speak here, recorded individually, about the term 'grindhouse,' how the film's had special personalities that the bigger budgeted pictures didn't have, shooting these films with theatrical distribution in mind, having reputations of going outside the norm when making these movies, the difficulties of getting some of these movies financed, how successful some of these films could be with big city audiences and drive-in audiences and lots more.

And he sent him into his house, saying: Go into thy house, and if thou enter into the town, tell nobody. Brand new commentary on the Theatrical Version by director Joseph Ellison and producer Ellen HammillStrong's 3598: A way, road, journey, path. Apparently a primary word; a road; by implication, a progress; figuratively, a mode or means. Strong's 3668: In like manner, similarly, in the same way, equally. Adverb from homoios; similarly. And he sent him to his house and he said, “Do not enter the town, neither tell anyone in the town.” a b "The Strauss Mansion". The Journal NJ. October 30, 2018. Archived from the original on November 21, 2021. Don’t Go In The House is a horror film that was banned in the UK for decades, that received a harsh reputation because of this, and could be thought of as nothing more than gross, slasher gore; but is actually a lot more interesting than that. And this new release offers horror fans the ultimate way to experience this piece of cinematic history.